07/08/2020, 17:25
Fandom: -, references to Endgame
Summary: This oneshot is loosely based on/inspired by Samuel Beckett’s contributions to the Theatre of the Absurd - so don’t fret if some stuff doesn’t make sense, it isn’t always supposed to make sense. Lazy writing, I know, but a lot of it will be references to the play Endgame, and the sentence “Better kill it before it dies” is almost literally lifted from that (I wish I had made that up myself, but unfortunately I’m not a literary genius), as are the names. The characters, however, are quite different from in the play, and this is supposed to take place long before the Endgame really begins. The colourless world was inspired by Roos’s prompt, She dreamed up the world in sepia colours, but is one of the things in this that is entirely mine, even though I do imagine it being a same sort of no man’s land as the setting of Beckett’s plays, maybe just a little more earthly. If you are wondering about this spacing thing I didn’t use to do before, that is entirely influenced by the Creative Writing course I am currently doing, which taught me that this is apparently ‘standard’.
Words: 1319
It’s not because I’m blind, or have deficient eyes in any other way. That didn't cause the dream. I know very well that the world isn’t coloured sepia – or at least, not these days. I don’t think there is any particular deep reason behind the fact that I visited a world which looked like that during the meagre five hours of sleep I got last night, or behind the particular colour I dreamed in. I dream of the desert almost every night. It had just never been in colour.
I have no idea where the colour came from. It’s a ludicrous notion. Everyone who is left knows the world isn’t any colour. It hasn’t been for a long time. My father used to tell me how his great-grandfather used to remember. But even he forgot over time. So my father just showed me and my brother books. They showed us what the world had once looked like, before everything had changed. He had showed us a green island in the middle of the ocean, covered in rocks and moss and grass and with all types of animals on it. They had different colours and different shapes and didn’t all mean to kill or harm. Some of them were just there. Like ants, apparently. I can’t remember having ever seen an ant in my entire life, even though my dad says he sometimes spots them. Only when he looks very closely. We had a rat once, though. We found it in the kitchen. My brother wanted to keep it as a pet and managed to hide it in his rooms for three days straight. Then my father found out and broke the poor bugger’s neck.
“Better kill it before it dies,” he had said.
Neither me nor my brother had understood at the time, but that is a long time ago now. We understand. And we survive.
He also showed us the deserts of the East though, and those have stayed my favourites over the years. Even though my father doesn’t look at those books anymore, and prefers Aquinas’s essays on aesthetics and his proof of the existence of God nowadays, I still peek into them sometimes. My husband always reprimands me for it. Says I shouldn’t have vain hopes. It is finished. What is lost is lost.
And anyway, it’s just words on the page. Any colour that may have graced the neat stack of books that is kept in the back of the cupboard have drained from it years ago, and if there were ever any pictures, they must have left. I don’t blame them.
“It came to me at night, Clov,” I say, hugging my knees and resting my chin on them. My hair hides the holes in my stockings. I look into his eyes as he looms over me, and does me the favour of not immediately dismissing my dream. I know my father would have. My husband isn’t much better. They had both lost hope, so I didn’t tell them. At some point you have to stop asking, and Clov was always there. He understands. He is a young chap, and he still feels the same longing that fills my veins and coats my blood.
“What did it look like?” he whispers. Genuine curiously was something hard to come by, but I know where his fascination comes from. I have seen him looking through the two small windows we have for hours and hours, and I know it never really stops. He was one of the last to have been more outside, so that was where he kept looking. I know his people will never return for him as sure as I know my mother will have long perished. It’s all zero there. But one never really stops looking for answers, so he keeps looking. And so do I.
“I can’t remember,” I say, and it is not a complete lie. “Like I always hoped.”
“That’s a shit answer, Nell,” the boys says, but he grins. I know he understands. He knows more about the outside than I do, and even though he has tried to explain to me, to us, what it was like, what he remembers, it is hard to explain something to others who have no notion of it at all. It’s like explaining how a radio works to an ant, a creature which according to my father has no sense human technology whatsoever.
“I wish you could tell me,” he says, and I wish with him.
“I can try,” I say, grinding my teeth, because I know I will fail.
“Can you?” His eyes shining hopefully. He is only a kid, to the standards we have now. I know it would have been different before, but right now, he’s only a kid. He’s our kid.
I think back to the night, and try not to remember the disappointing feeling of a world in which black and white is all that remains. Barren, empty land without a purpose. “I was in the desert, in the middle of it. Do you remember the books my father used to read you?”
Clov nods. “My father hates them.”
“Like father, like son,” I say bitterly. Clov had been adopted in one hell of a family, the poor little bugger. “But it was like that. The sands, the hills, it was beautiful. I saw the sun, I think.”
Clov lights up. “I think I remember the sun.”
I shake my head. “The sun went eighty years ago. You can’t remember that.” I think for a moment. “Maybe the moon.”
Clov nods again. “Maybe.”
A silence falls between us, and he looks at me as if he has never seen me before.
“Can you tell me about the colour?”
I shake my head. “I know it was sepia. I dreamed up a world in sepia colours, the words just popped up in my head when I awoke. I know it was colour, because it wasn’t black and white.”
“Some would argue one of those is a colour.” Clov offers a smile.
I laugh. “Some are stupid.” I brush some of the hair out of my face. Even if our world knew colour, I am reasonably certain mine would be grey by now. I turn older fast, and I dread the day my father will go. He has already lost his legs, and anticipates the rest of him to go rather quickly.
“What does sepia look like?”
I sigh. “I don’t know, Clov.” Not like black and white. “Like the desert.”
Clov turns a sad eye to me. “I wish I understood. I wish I could dream up a colour.” He hesitates for a moment before he blurts out: “I wish I could be in the desert. I wish I could feel it and finally see.”
I think of the sands and the rush of the wind on my white skin. I remember that. A promise that there is more out there, and a sense of hope that maybe, just maybe, not all is lost. If some of us have left the imagination, it’s only a small stretch to the real, isn’t it? I remember it so clearly, but I cannot find the words to explain. A sensation, a deep understanding between me and the sepia world surrounding me. “So do I, Clov.” I fill my lungs with colourless air, a last reminder we are all still alive, even if we are only barely so. “So do I.”
Summary: This oneshot is loosely based on/inspired by Samuel Beckett’s contributions to the Theatre of the Absurd - so don’t fret if some stuff doesn’t make sense, it isn’t always supposed to make sense. Lazy writing, I know, but a lot of it will be references to the play Endgame, and the sentence “Better kill it before it dies” is almost literally lifted from that (I wish I had made that up myself, but unfortunately I’m not a literary genius), as are the names. The characters, however, are quite different from in the play, and this is supposed to take place long before the Endgame really begins. The colourless world was inspired by Roos’s prompt, She dreamed up the world in sepia colours, but is one of the things in this that is entirely mine, even though I do imagine it being a same sort of no man’s land as the setting of Beckett’s plays, maybe just a little more earthly. If you are wondering about this spacing thing I didn’t use to do before, that is entirely influenced by the Creative Writing course I am currently doing, which taught me that this is apparently ‘standard’.
Words: 1319
I dreamed up the world in sepia colours
I dreamed up the world in sepia colours. I realise that might sound a little bit odd to the average reader, if such a thing exists. Where I come from, most readers have ceased to exist anyway. My father is one of the few people in my near environment I catch diving in to books every now and then, but most of us have lost the imagination. It’s not because I’m blind, or have deficient eyes in any other way. That didn't cause the dream. I know very well that the world isn’t coloured sepia – or at least, not these days. I don’t think there is any particular deep reason behind the fact that I visited a world which looked like that during the meagre five hours of sleep I got last night, or behind the particular colour I dreamed in. I dream of the desert almost every night. It had just never been in colour.
I have no idea where the colour came from. It’s a ludicrous notion. Everyone who is left knows the world isn’t any colour. It hasn’t been for a long time. My father used to tell me how his great-grandfather used to remember. But even he forgot over time. So my father just showed me and my brother books. They showed us what the world had once looked like, before everything had changed. He had showed us a green island in the middle of the ocean, covered in rocks and moss and grass and with all types of animals on it. They had different colours and different shapes and didn’t all mean to kill or harm. Some of them were just there. Like ants, apparently. I can’t remember having ever seen an ant in my entire life, even though my dad says he sometimes spots them. Only when he looks very closely. We had a rat once, though. We found it in the kitchen. My brother wanted to keep it as a pet and managed to hide it in his rooms for three days straight. Then my father found out and broke the poor bugger’s neck.
“Better kill it before it dies,” he had said.
Neither me nor my brother had understood at the time, but that is a long time ago now. We understand. And we survive.
He also showed us the deserts of the East though, and those have stayed my favourites over the years. Even though my father doesn’t look at those books anymore, and prefers Aquinas’s essays on aesthetics and his proof of the existence of God nowadays, I still peek into them sometimes. My husband always reprimands me for it. Says I shouldn’t have vain hopes. It is finished. What is lost is lost.
And anyway, it’s just words on the page. Any colour that may have graced the neat stack of books that is kept in the back of the cupboard have drained from it years ago, and if there were ever any pictures, they must have left. I don’t blame them.
“It came to me at night, Clov,” I say, hugging my knees and resting my chin on them. My hair hides the holes in my stockings. I look into his eyes as he looms over me, and does me the favour of not immediately dismissing my dream. I know my father would have. My husband isn’t much better. They had both lost hope, so I didn’t tell them. At some point you have to stop asking, and Clov was always there. He understands. He is a young chap, and he still feels the same longing that fills my veins and coats my blood.
“What did it look like?” he whispers. Genuine curiously was something hard to come by, but I know where his fascination comes from. I have seen him looking through the two small windows we have for hours and hours, and I know it never really stops. He was one of the last to have been more outside, so that was where he kept looking. I know his people will never return for him as sure as I know my mother will have long perished. It’s all zero there. But one never really stops looking for answers, so he keeps looking. And so do I.
“I can’t remember,” I say, and it is not a complete lie. “Like I always hoped.”
“That’s a shit answer, Nell,” the boys says, but he grins. I know he understands. He knows more about the outside than I do, and even though he has tried to explain to me, to us, what it was like, what he remembers, it is hard to explain something to others who have no notion of it at all. It’s like explaining how a radio works to an ant, a creature which according to my father has no sense human technology whatsoever.
“I wish you could tell me,” he says, and I wish with him.
“I can try,” I say, grinding my teeth, because I know I will fail.
“Can you?” His eyes shining hopefully. He is only a kid, to the standards we have now. I know it would have been different before, but right now, he’s only a kid. He’s our kid.
I think back to the night, and try not to remember the disappointing feeling of a world in which black and white is all that remains. Barren, empty land without a purpose. “I was in the desert, in the middle of it. Do you remember the books my father used to read you?”
Clov nods. “My father hates them.”
“Like father, like son,” I say bitterly. Clov had been adopted in one hell of a family, the poor little bugger. “But it was like that. The sands, the hills, it was beautiful. I saw the sun, I think.”
Clov lights up. “I think I remember the sun.”
I shake my head. “The sun went eighty years ago. You can’t remember that.” I think for a moment. “Maybe the moon.”
Clov nods again. “Maybe.”
A silence falls between us, and he looks at me as if he has never seen me before.
“Can you tell me about the colour?”
I shake my head. “I know it was sepia. I dreamed up a world in sepia colours, the words just popped up in my head when I awoke. I know it was colour, because it wasn’t black and white.”
“Some would argue one of those is a colour.” Clov offers a smile.
I laugh. “Some are stupid.” I brush some of the hair out of my face. Even if our world knew colour, I am reasonably certain mine would be grey by now. I turn older fast, and I dread the day my father will go. He has already lost his legs, and anticipates the rest of him to go rather quickly.
“What does sepia look like?”
I sigh. “I don’t know, Clov.” Not like black and white. “Like the desert.”
Clov turns a sad eye to me. “I wish I understood. I wish I could dream up a colour.” He hesitates for a moment before he blurts out: “I wish I could be in the desert. I wish I could feel it and finally see.”
I think of the sands and the rush of the wind on my white skin. I remember that. A promise that there is more out there, and a sense of hope that maybe, just maybe, not all is lost. If some of us have left the imagination, it’s only a small stretch to the real, isn’t it? I remember it so clearly, but I cannot find the words to explain. A sensation, a deep understanding between me and the sepia world surrounding me. “So do I, Clov.” I fill my lungs with colourless air, a last reminder we are all still alive, even if we are only barely so. “So do I.”